2024-09-30
TC80
Going back and forth between Barcelona and Berlin, TC80 is a French producer, Live performer, the owner of Sequalog Records and also shares his experience with music production classes. Precociously talented and influenced by Japanese video games, it’ in 2004 that Tony Callea started the production. From his studio, he speaks about the philosophy behind his label founded in 2017 with his friend Etienne, his connections with Cabaret Recordings among others.
Was music an important part of your childhood?
I hail from Thionville in the North-East of France. Growing up, my father played a wide range of instruments, and I often found myself immersed in sounds from various genres, which definitely planted the seeds for my career.
Who were your teenage influences?
During my teenage years, I was heavily influenced by electronic music pioneers like Vangelis, Mike Oldfield or Jean-Michel Jarre, as well as progressive rock and metal bands like Genesis, Yes or Dream Theater. These artists pushed the boundaries of sound and production, inspiring me to explore music creation in more depth.
Why did you move abroad?
I moved abroad to Germany and then to Spain to broaden my musical horizons and immerse myself in different cultural influences. The vibrant music scene in Berlin and Barcelona has provided me with countless opportunities to learn and perform as an artist.
Your 5 top video games soundtracks?
- Final Fantasy VI
- Castlevania IV
- Chrono Trigger
- Axelay
- Mass Effect
What prompted you to become a producer?
The desire to create and express myself musically prompted me to become a musician and a producer. I started at a young age to compose music with a workstation, after learning to play the keyboard. I wanted to make music that connected with people on a deeper level.
Your favorite gears in the studio?
Dreadbox Typhon, Elektron Model and Cycles, Roland XP-30, HöF-Audio Dynamic Master, Logic Pro X.
How do you define your music in 5 words?
Melodic, intricate, emotive, organic, immersive.
A quality track in 3 words?
Raw, authentic, timeless.
How did Cabaret Recordings approach you?
After sharing some tracks with Dj Masda, he asked me if I would be interested in releasing on Cabaret Recordings.
How did you meet with Etienne and what is the philosophy behind your label?
I met Étienne in Saarbrücken, Germany, where we were both living and performing at various clubs. We bonded over our shared passion for blending genres and pushing sonic boundaries. With Sequalog, I wanted to experiment with a platform that allows for the release of music without external influence. I initially asked Étienne to be part of the project, but after he moved from Barcelona back to Berlin, I continued to manage the project on my own.
Your 5 top venues?
Closer (Ukraine), Phonotheque (Uruguay), Hoppetosse (Germany), Robert Johnson (Germany), Red58 (Spain).
Album or Ep?
I lean towards albums because they allow for a deeper exploration of themes and concepts. An album can take listeners on a journey, providing more context and emotional depth than an Ep.
Altered Frequencies, by TC80
Machine Man, by TC80
Power Game, by TC80
Open Source, by TC80
Hackers, by TC80
Fusion Energy, by TC80
Cloud, by TC80
Download, by TC80
New Life, by TC80
Live or Dj set?
I enjoy both formats, but there’s something uniquely exhilarating about performing a live set. It allows for spontaneity and a deeper connection with the audience through original music.
On the other hand, Djing allows to showcase a wider range of music influences.
Between Spain and Germany, which one is the best place to live as an artist?
Both countries have vibrant scenes, but Germany, particularly Berlin, is often seen as a hub for electronic music. However, Spain's diverse culture and beautiful surroundings provide a refreshing creative environment as well.
Are you still diggin’ vinyl and where?
Absolutely! Playing with vinyls is my favorite way. In Barcelona we are lucky to have many record stores and private sellers with huge collections. I don’t have a favorite place, as each shop has its influences, but I would recommend to go to Discos Paradiso, Mad Radio, Libertine, NUT, Small Black Dots,
A ritual before a gig?
Before a gig, I like to take some time to center myself with a quick meditation. It helps clear my mind and focus on the energy I want to bring to the performance and how I could make the audience enjoy the moment.
Where do you teach music production?
I teach production mostly online and sometimes in Barcelona. Going to the artists’ studios and meet them allows easier connection and communication.
Without music, life would be…
A lot less colorful, that's for sure. Listening, playing and making music is a vital part of my existence.
If you could teleport yourself for 1 day, which country would you choose to go?
I would choose to go to India, as I’m very interested in Yogic culture and music but I’ve never been there yet. Ultimately, in a place with gorgeous nature around and great spicy food to try.
Your top 5 new releases?
Tom Carruthers “Zeta Wave”
Kvrk “Still Processing”
Saigg “Heaven”
Luschn “Osinato Transdanz”
MASI “Orion”
Your top 5 oldies?
The Overlords “Sundown” (Sunshine And The 909 - Babymix)
Justin Berkovi “1979”
Privacy “Starcrash”
HX “RX15”
Jammin' Unit vs. Adel Dior “Discodesease”
Your projects?
I’m currently working on upcoming releases/remixes and continue to work on mixing and mastering for other artists as well.
Interviewed by Sabrina Bouzidi